Linda's Literary Home

Category: Original Songs

  • Original Song:  “Where You Are”  with Prose Commentary

    Image: Pacific Ocean – August 2015 – Self-Realization Fellowship Meditation Gardens – Encinitas CA – Photo by Ron W. G.

    Original Song:  “Where You Are”  with Prose Commentary

    This song Where You Are” is one of my original compositions. The video accompanying it was created by landscape artist/photographer Ron Grimes.

    Introduction and Text of “Where You Are”

    My original song “Where You Are”is based on a simple premise: the singer is addressing her Divine Belovèd (God), asserting to the Belovèd the desire to be where the Ultimate Loved One is.

    Each verse features rhetorical questions and musings upon the actual location of the Divine Creator.  Because the Creator/Father of all creation is both within creation and outside of creation, the answer to all of the rhetorical questions is, naturally, yes.

    Nevertheless, being where the Divine Belovèd is cannot be the same situation as being where a human friend or beloved is.   Because it seems that God is playing hide and seek with his children, the singer asserts that her soul “soul tugs at the veil hiding You from me.”

    Where You Are

    First Verse

    Are You standing on top of a mountain?
    Are You sitting beside the vast grave sea?
    How can I ever approach You?
    Will You ever just come to me?

    Second Verse

    Are You speaking to me through my loved ones?
    Are You quietly whispering through the silver stars?
    Are You waiting to hear what my songs will sing?
    Do You listen to the rapid beat of my heart?

    Third Verse  

    If I offer You all in my stillness—
    If I silently listen to the hum in my mind—
    If I patiently fast from all my senses—
    Will You break Your vow of silence and just come to me!

    Chorus 

    Where You are is where I long to be.
    I cannot understand where else I could seek.
    My soul tugs at the veil hiding You from me.
    Where You are is where I long to be.

    Video: Linda Sue Grimes performing “Where You Are”  

    SoundCloud:  Linda Sue Grimes performing “Where You Are” 

    Commentary on “Where You Are”

    After much questioning, contemplating, and ultimately meditating, the devotee will find that the soul will remove the veil hiding it from the Over-Soul—the soul’s Creator, the Divine Belovèd, or any of the preferred name for the Ineffable (God).

    First Verse:  “Are You standing on top of a mountain?”

    Are You standing on top of a mountain?
    Are You sitting beside the vast grave sea?
    How can I ever approach You?
    Will You ever just come to me?

    The singer opens with four rhetorical questions to the Divine Reality.  The first two questions reveal earthly locations that are considered sanctuaries of sacredness, holiness, or just ordinary vacation escapes:  mountain tops and sea sides. 

    The next two questions reveal that the devotee is still walking the sacred, devotional path to soul-realization (also known as self-realization or God-realization).  

    Before final liberation, the devotee experiences the separation from her Goal to be a heavy burden.  That burden causes her to wonder if she, in fact, will ever be able to unite with the Creator/Father.

    In her melancholy and sorrowful mourning because of the seeming distance, the devotee often wonders if the Lord will ever appear to her and make her know that she is His own child.   Will she ever be able to attain the Sacred Goal of self-realization and experience unity with her Belovèd Divine Creator?

    Second Verse:  “Are You speaking to me through my loved ones?”

    Are You speaking to me through my loved ones?
    Are You quietly whispering through the silver stars?
    Are You waiting to hear what my songs will sing?
    Do You listen to the rapid beat of my heart?

    In the second verse, the singer/devotee continues with rhetorical questions.  Intuiting the answer yet not knowing the fullness of each answer, she inquires of the Divine Belovèd if He is communicating with her through her family and friends.

    The singer likely is aware that God is speaking to her through everyone she knows and meets.  But without that last step in the process of enlightenment, she does not know exactly what is being said or exactly what all that conversation might ultimately mean to her.

    Thus, she also wonders if the One Who fashioned the “silver stars” may be signaling to her through those heavenly entities.  Again, she likely knows it to be a fact, but that separation continues to prompt questions.  

    The singer wonders if Divine Mother anticipates what she sings in her songs.  She wonders if her musical worship is reaching its intended Goal.

    The singer/devotee often becomes anxious with a rapid heart beat, knowing that that heart beat needs to become calm to achieve stillness.  She therefore wonders if the Creator Divine cares to listen to that rapid heart beat.  And she wonders if the Ultimate Physician will perform some medical heavenly magic to help her still her rapid heart.

    Third Verse:  “If I offer You all in my stillness”

    If I offer You all in my stillness—
    If I silently listen to the hum in my mind—
    If I patiently fast from all my senses—
    Will You break Your vow of silence and just come to me!

    The singer/devotee’s questioning becomes even more intense in the lyric of the final verse.    She has shown that she knows that she must still the rapid beat of her heart, but she also must still all of her senses as she offers her every atom to the Divine Essence.

    The devotee/singer shows awareness that she must listen the divine hum of the cosmic motor, the sacred AUM (Om) sound that upholds all of creation.  She knows that she must remove her attention from worldly things and events and place that attention upon the locus beyond the senses, where the soul resides.

    The singer/devotee remains certain that after she is able to accomplish all that is implied in her questions and musings, the Divine Belovèd Presence will, in fact, “break [that] vow of silence and [ ] come to [her].”

    Chorus:  “Where You are is where I long to be”

    Where You are is where I long to be.
    I cannot understand where else I could seek.
    My soul tugs at the veil hiding You from me.
    Where You are is where I long to be.

    The chorus, instead of offering mere rhetorical questions and musings, makes an affirmative statement:  the singer asserts that she wants to be where her Divine Beloved is.   She reveals her intuition that she cannot find love, peace, fulfillment on the physical, earthly plane.

    The singer/devotee insists that her soul is attempting to rend the cloth of separation from the Divine, as it “tugs at the veil” that keeps her from uniting with the Creator Belovèd. 

    The final line emphasizes as it repeats the important desire: “Where You are is where I long to be.”  The importance of the chorus is demonstrated by its repetition after every verse.

  • Original Song:  “The Paper Mill Bridge Song” with Prose Commentary

    Image:  Old Paper Mill Bridge, Brookville, Indiana – Built 1914 – Brookville Library Collections

    Original Song:  “The Paper Mill Bridge Song” with Prose Commentary

    My original song “The Paper Mill Bridge Song” was inspired by the beautiful Whitewater River in Indiana and its relationship to the beautiful relationship I have enjoyed for over half a century with my wonderful husband, native of the little town of Brookville, Indiana.

    Introduction and Excerpt from “The Paper Mill Bridge Song”

    My husband, landscape artist Ron Grimes, created the video featured in this article to accompany my original song “The Paper Mill Bridge Song.”  He wrote the following introduction to the piece and placed his video on YouTube:

    A celebration of life and love as witnessed by the Paper Mill Bridge over the Whitewater River in Brookville, Indiana.

    September 10th, 2022. Linda and I walked to the middle of the new Papermill Bridge. I wanted to capture some scenes for this video. As soon as I started videoing, this Canada Goose flew right over us and honked as it if it were saying, “I want to be in your video.” It was a gift.

    Innovative Chorus

    The song undergoes an unusual arrangement; instead of an ordinary chorus, it features an middle octave which behaves as a second octave and chorus that gets repeated at a the end of the song.

    The Paper Mill Bridge Song

    Here’s where people paddle canoes
    Down the Whitewater River.
    I stand here on Paper Mill Bridge.
    Watch the water and remember
    The day we walked along the bank,
    Sand so warm to my feet.
    We talked about cattails, rocks, and stars
    And the moss that grows on old trees.

    These are the things that fill my day,
    Things we’ve done together.
    Sunshine streaming down through the leaves,
    A storm in the clouds or snow in the fields.
    River water runs through my veins.
    The stars light up my eyes.
    Love for you turns in my heart
    Like the sun burns through the sky.


    Through the years my heart has filled
    With love for this old river.
    I stand here on Paper Mill Bridge.
    Watch the water and remember
    The day we paddled down the stream,
    A cool breeze on my shoulders.
    The sun shone bright over Paper Mill Bridge
    And I knew I’d love you forever.

    These are the things that fill my day,
    Things we’ve done together.
    Sunshine streaming down through the leaves,
    A storm in the clouds or snow in the fields.
    River water runs through my veins.
    The stars light up my eyes.
    Love for you turns in my heart
    Like the sun burns through the sky.

    © LINDA SUE GRIMES 2004

    Prose Commentary on “The Paper Mill Bridge Song”

    My original song—”The Paper Mill Bridge Song”—focuses on one relationship that progresses from good friends to life partner.  In the opening verse, the friends experience a quiet walk and talk along the river.  In the final verse, the life relationship is solidified.

    First Octave/Verse:  The View from the Bridge

    Here’s where people paddle canoes
    Down the Whitewater River.
    I stand here on Paper Mill Bridge.
    Watch the water and remember
    The day we walked along the bank,
    Sand so warm to my feet.
    We talked about cattails, rocks, and stars
    And the moss that grows on old trees

    The singing narrator is standing on a bridge, which turns out to be the subject of the song, the Paper Mill Bridge.  She begins to report on the activities that are locally common to that bridge.  The bridge spans the Whitewater River—a river in mideastern to southern Indiana—and from its perch one can from time to time see canoers paddling their barks down the river.

    The narrator then focuses on a memory that is important to her regarding her hike along the riverbank with a friend.  During that pleasant stroll, the two friends casually conversed about river-related entities such as water reeds that look like “cattails” and other features of nature such a “rocks and stars.”

    The narrator recalls that her feet enjoyed the luxury of the warm sand.  They also held forth about the fact that moss grows on old trees—likely that the moss grows mostly on the north side of those arbolian creatures.

    Second Octave/Chorus:  Recurring Images

    These are the things that fill my day,
    Things we’ve done together.
    Sunshine streaming down through the leaves,
    A storm in the clouds or snow in the fields.
    River water runs through my veins.
    The stars light up my eyes.
    Love for you turns in my heart
    Like the sun burns through the sky.

    The chorus has an usual placement, standing the middle of the song and containing an equal number of line as each verse, instead of following each verse with fewer lines.  Essentially the piece offers three separate octaves, even as the middle octave performs as a chorus.

    In this innovative chorus, the narrator has placed a heavy emphasis.  While she has offered some concrete details in the opening verse-octave, in the chorus-octave she is stating a general take on what she may likely be thinking about during this particular time period in her life.

    She thus has been focusing mentally on things that she and her friend have enjoyed together.  But then she adds two images in the first quatrain of the chorus-octave that allow her thoughts to show their natural influences as she experiences weather conditions—specially the warmth of spring and summer and the cold of fall and winter.

    The second quatrain of the chorus-octave becomes even more generalized: she is a creature of the river, so closely attuned to river culture that it seems that the very waters of the river flow “through [her] veins.”

    The narrators suggests that her happiness is enhanced as if by starlight.  She then asserts that she loves her friend with the same intensity that causes the “sun” to burn “through the sky.”  The hyperbole serves to suggest the strong emotion that this narrator feels for her friend, their relationship, and the natural features that they have experienced together.

    Third Octave/Verse:  The Passage of Time

    Through the years my heart has filled
    With love for this old river.
    I stand here on Paper Mill Bridge.
    Watch the water and remember
    The day we paddled down the stream,
    A cool breeze on my shoulders.
    The sun shone bright over Paper Mill Bridge
    And I knew I’d love you forever.

    The third octave/verse again focuses on the narrators thoughts about her friend, and now it becomes apparent that they are indeed life partners.  But first she places that river into her affections; she has come to love the river, and again, she is standing on the same bridge with pleasant memories coming to the fore.

    This time she remembers that like the other folks one might see canoeing down the Whitewater River, she and her partner did such paddling.  That day she recalls that she felt a breeze on the skin; it was a “cool breeze”—indicating that it was likely early to mid-spring.

    However, she then asserts that over that bridge the sun was beaming down in bright rays.  And suddenly, her heart told her then as it is telling her now that she would continue to hold her partner in her heart “forever.”  

    Second Octave/Chorus:  Recurring Images Again

    These are the things that fill my day,
    Things we’ve done together.
    Sunshine streaming down through the leaves,
    A storm in the clouds or snow in the fields.
    River water runs through my veins.
    The stars light up my eyes.
    Love for you turns in my heart
    Like the sun burns through the sky.

    The purpose of the repetition remains the exact same purpose that is held for all choruses in songs: to emphasize the sentiment expressed in the verses and perhaps add an extra image or two. 

    Linda Sue on the new Paper Mill Bridge – Constructed 1977Photo by Ron W. G.

  • Original Song: “Against” with Prose Commentary

    Image:  Linda Sue Grimes at the SRF Windmill Chapel at Lake Shrine Photo by Ron Grimes (Ron W. G.).

    Original Song: “Against” with Prose Commentary

    The singer/devotee is entreating her soul to forsake worldly things and ways, which according to Emily Dickinson, “hold so,” and follow the way of spirit.  The way of spirit protects “against”  all the things that damage the individual physically, mentally, and spiritually.

    Introduction with Text of Lyric “Against”

    Many old spirit-infused hymns sing about the futility of this world to the point of asserting that this world is not even our true home [1].   Paramahansa Yogananda has explained that one’s engagement with sense pleasure must be carefully observed lest they ensnare the soul, preventing it from experiencing the higher pleasures of soul-awareness [2].  

    Removing the flesh motivating experiences becomes one’s highest duty.  While the first step to soul-awareness appears to be a struggle “against” the senses and all worldly endeavors, that opposition must not become so intrenched that it impels one to judge others harshly and act on that judgment.

    Instead simply remaining mindful of one’s own behavior opens one’s heart to soul power. Creatively fashioning the experiences and thoughts on the journey to soul awareness adds to the reality and beauty that the world actually provides. 

    Against

    The Blessed Divine gave us all the gifts that we must learn to enjoy but without becoming entangled and attached; it is with that non-attachment in mind that the following hymn is offered to the Blessed Spirit Who inspires true music.

    Chorus: 

    Against the tone of heartbreak
    Against the stone of night ache
    Against the wrong that leads you
    Against the blood that speeds you

    1st Verse

    Whisper into the drum and see the bay of stars
    That permeate the golden night in silver bars
    Usher to the harp the placid palms of notes
    That wistfully breathe on strings of hope

    2nd Verse

    Quaff the mist of years, past where you thought
     That dwarves were playing in the valley of rock
    Don’t listen to a decibel lower than the sound
    Of the one hand raised in perfect redound

    3rd Verse

    Bless your father and your mother whose ears
    Have turned to stone with worries and fears
    They planted their flag in the wind by the sea
    They pray on the ghost ridge and wait to be free

    4th Verse

    Whisper again and listen for the echo
    That lingers in the valley you used to know
    Keep a clear watch how the strain will peel you
    Keep your mind in tow for the brain will steel you 

    5th Verse

    Into the light, where you bow
    Where you offer news of then and now
    Where you fold your hands and wonder as you pray
    If you heard that thunder across the bay

    6th Verse

    Whisper blowing, softly into the day
    Let no shaft of light escape your sight today
    Listen to your commandments, as they
    Lead you to the words you hunger to pray

    To listen to an audio recording of this song, please visit “Against.”

    Commentary on “Against”

    My original song “Against” is a lament for our times—for all times.  The devotee/singer begs her soul to forsake the things of this world, which become so attractive that they hold one’s attention to the detriment of the soul.

    The spiritual aspirant, however, wishes to follow the way of spirit.  The way of spirit protects the individual “against”  all the things that hurt one physically, mentally, and spiritual.

    Chorus:  A Lament and Call to Struggle

    Against the tone of heartbreak
    Against the stone of night ache
    Against the wrong that leads you
    Against the blood that speeds you

    The broken heart, the mental-pain-induced inability to sleep, behaving inappropriately, and allowing the physical body to dictate one’s thoughts and behavior are all things the devotee of spirit must battle “against.” 

    Allowing the voice to express opposition through melody tempers the heart and mind, allowing soul power to influence the senses that have the tendency to become so greedy and obstructive.

    1st Verse:  Listening to the Music of the Spheres

    Whisper into the drum and see the bay of stars
    That permeate the golden night in silver bars
    Usher to the harp the placid palms of notes
    That wistfully breathe on strings of hope

    The singer demands of her soul that it listen to the music of the spheres [3], to observe the night sky for inspiration to follow the way of spirit.   The singer remains in search of hope through beauty of sight and sound.  The stars at night accompany the beauty of melody that the seeker/singer tis striving to engage.

    Quaff the mist of years, past where you thought
     That dwarves were playing in the valley of rock
    Don’t listen to a decibel lower than the sound
    Of the one hand raised in perfect redound

    2nd Verse:  Command to Turn Inward

    The singer commands her soul to move past the past—reflecting on the Zen koan, “The sound of the one hand” [4].

    By imbibing the tears of many years passed without knowledge, singer drinks her own heart’s deepest desires which turn the eye and the mind inward in search of the indwelling Lord, to Whom all reverence and devotion are due.

    3rd Verse:  The Unforgiven and Prayer

    Bless your father and your mother whose ears
    Have turned to stone with worries and fears
    They planted their flag in the wind by the sea
    They pray on the ghost ridge and wait to be free

    The singer commands her mind to forgive the sins of her forebears, who were innocent and did their best, even though they were ignorant of the exact way of spirit.   As the immature look about their environment, they crave to find a place more suitable to their talents. It is that impetus that drives the soul to eventually find its path back to its true home.

    4th Verse:  Focusing on Spirit

    Whisper again and listen for the echo
    That lingers in the valley you used to know
    Keep a clear watch how the strain will peel you
    Keep your mind in tow for the brain will steel you 

    The singer again commands her mind to take the lessons of her past gingerly, while recalling in the present that stress is the enemy of spiritual progress—keeping the mind focused is at the heart of the way of spirit.

    5th Verse:  Acknowledging Soul Reality

    Into the light, where you bow
    Where you offer news of then and now
    Where you fold your hands and wonder as you pray
    If you heard that thunder across the bay

    The devotee/singer acknowledges that she has progressed into awareness of “the light” and she continues to pray and supplicate. The singer then acknowledges that the heart and mind will continue to reflect on past and present even while seeking the way of spirit.

    6th Verse:  The Hunger to Pray the Right Prayer

    Whisper blowing, softly into the day
    Let no shaft of light escape your sight today
    Listen to your commandments, as they
    Lead you to the words you hunger to pray

    The singer then admonishes herself to step lightly and watch for any sightings of spiritual light, and above all to continue to follow the way of spirit as it leads her to its golden gate. She knows that she needs more exact words to offer the Divine, and she remains confident that she will find them through her dedicated prayer.

    Sources

    [1] The Monroe Brothers. “This World Is Not My Home.”  YouTube. Accessed October 29, 2025.

    [2] Paramahansa Yogananda. “The Purpose of Life.”  Self-Realization Fellowship. Accessed October 29, 2025.

    [3] M. N. K. Mander.  “Milton and the Music of the Spheres.”  Vol. 24, No. 2, May 1990. Milton Quarterly.  Via JSTOR.

    [4]  Yoel Hoffman.  The Sound of the One Hand.  Bantam. 1977. Print.  Online at Internet Archive.  Accessed October 29, 2025.

  • “Dreaming of You Again” with Prose Commentary

    Image: Original Painting by Ron Grimes “Morning at Red River Gorge”

    “Dreaming of You Again” with Prose Commentary

    This love song “Dreaming of You Again” features an individual who is musing on his continued feelings for and thoughts about a loved one from whom he has had to separate. 

    Introduction with Lyric “Dreaming of You Again”

    The chorus of “Dreaming of You Again” features a sequence of statements regarding the visions that appear to the individual in his dreams about his beloved: first, he envisions “what could have been”; next, he sees “what would have been,” and finally he insists that he envisions “what should have been.”

    Clearly, the individual’s feelings remains so strong that he feels that the two former partners do belong together, although they likely never will again unite. Still, he has his dreams.

    Dreaming of You Again   

    Written by Ron Grimes and Linda Sue Grimes.  Performed by Linda Sue Grimes.

    Introductory Note by Ron Grimes:  This is a song I wrote in 2003. Linda put the song to music. This video was created on January 1st 2023. The scene of us walking along the river was captured January 1st 2023 at Henry Horton State Park in Tennessee. We walked along the Duck River.

    Chorus

    Dreaming of you again, making up what’s true again   
    Seeing now what we saw then
    Visions of what could have been—Dreaming of you again

    First Verse

    Growing quite accustomed to these crazy little dreams of you
    Just a way to pass the time
    These crazy little dreams of mineDreaming of you again
    Your face lights up my darkest night, stay with me, hold me tight
    Show me now what we knew then
    Help me find that joy againDreaming of you again

    Chorus

    Dreaming of you again making up what’s true again 
    Seeing now what we saw then
    Visions of what would have been—Dreaming of you again

    Second Verse

    We both knew you had to leave, you had to grow, you had to breathe
    It hurt me so to see you cry
    The night you said your last good-byeDreaming of you again
    Wish you peace and happiness, hope you’ll always have the best
    And me I’ll have these dream of you
    Dreams I’ll always hold on toDreaming of you again

    Chorus

    Dreaming of you again, making up what’s true again  
    Seeing now what we saw then
    Visions of what should have been—Dreaming of you again

    Commentary on “Dreaming of You Again”

    Dreams figure widely and often in love songs. One of the most popular love songs of the early Rock and Roll movement of the late 1950s and early 1960s was the Everly Brothers’ “All I Have to Do Is Dream.”  This song “Dreaming of You Again” offers a unique twist on the dreaming function, as it makes an affirmative claim held by the composer of the lyric. 

    Chorus:  What Could Have Been

    Dreaming of you again, making up what’s true again   
    Seeing now what we saw then
    Visions of what could have been—Dreaming of you again

    The singer begins by offering a chorus that sets the stage for the rest of the piece. He has been dreaming about the individual he is addressing, creating mental pictures about what the couple felt and did with some speculation about what could have become for them in future.

    First Verse:  Crazy Dreams Repeating Themselves

    Growing quite accustomed to these crazy little dreams of you
    Just a way to pass the time
    These crazy little dreams of mineDreaming of you again
    Your face lights up my darkest night, stay with me, hold me tight
    Show me now what we knew then
    Help me find that joy againDreaming of you again

    The composer begins by offering a chorus that sets the stage for the rest of the piece.He has been dreaming about the individual he is addressing, creating mental pictures about what the couple felt and did with some speculation about what could have become for them in future.

    Chorus:  What Would Have Been

    Dreaming of you again making up what’s true again 
    Seeing now what we saw then
    Visions of what would have been—Dreaming of you again

    Again, the composer repeats the refrain, chant-like, revealing again his  visions as well as that they also belonged to his belovèd.  This time he claim that those visions would have been reality, if they had remained together to build a life together.

    Second Verse:  Had to Leave to Breathe

    We both knew you had to leave, you had to grow, you had to breathe
    It hurt me so to see you cry
    The night you said your last good-byeDreaming of you again
    Wish you peace and happiness, hope you’ll always have the best
    And me I’ll have these dream of you
    Dreams I’ll always hold on toDreaming of you again

    The composer then offers a glimpse into the reason for this couple’s split:  the one had to leave to grow and breathe.  The lack of specificity allows the listener to fill in the blanks.  But such a situation is not unheard of.  

    Sometimes opportunities do not exist for both partners in one location; thus, they have to separate to reach their goals.  It does seem that both partners are sad about the situation.

    Nevertheless, the composer has accepted the departure and now hopes that his partner finds the fulfilled life for which the individual had to leave.  He wishes his belovèd peace, happiness, and all the best in life.  Finally, he asserts that he will continue to engage in the dreams that bring his beloved back to him.   He makes peace with the simple enjoyment of dreams instead of reality.

    Chorus:  What Should Have Been

    Dreaming of you again, making up what’s true again  
    Seeing now what we saw then
    Visions of what should have been—Dreaming of you again

    Lest the composer demonstrate too easily the giving in to the way things are, he states that now his dreams are envisioning how things should have been—not merely that they “could” or “would.”  

    His affirming that they “should have been” is likely offered to rouse new thoughts in the distant former belovèd.  If the departed individual is made aware that the composer still thinks they should have remained together, what kind of fire might that thought kindle in the mind of the addressee?  Of course, the composer does not address that issue, so the listener can only speculate.

    Other Videos by Ron Grimes

  • Original Songs

    Image: Linda Sue Grimes – Selfie

    Welcome to My Original Songs

    As a life-long creative writer, I have dabbled in many forms: poems, songs, short stories, flash fiction, memoir, and essays that focus on a variety of topics including history and politics, and philosophical issues.  I also create vegetarian/vegan recipes.

    This page is dedicated to providing links to a sampling of my songs; to sample some of my poems, please visit my “Original Poems.”   Other works are forthcoming.

    Thank you for visiting my literary home!  

    Questions, comments, and suggestions offered in good faith are always welcome.

    Original Songs on SoundCloud

    All written and performed by Linda Sue Grimes

    1. Twixt Good and Evil
    2. When Morning Looms
    3. Blue Haired Girl
    4. Sing through Me as I Worship at Thy Sea
    5. Where You Are
    6. Lyn’s Song
    7. River of Time – w/The Yamaha Band
    8. Ron’s Song
    9. Astral Mother
    10. Where You Are Dear – Keyboard
    11. Where You Are Dear – Guitar
    12. Pretty Little Woman
    13. Without the Waves
    14. River Spirit

    Original Songs  

    Videos on YouTube created by Ron Grimes

    1. Paper Mill Bridge Song
    2. Where You Are
    3. Lyn’s Song
    4. Haunted House
    5. Old Forgotten Love
    6. Slipped Away
    7. Down the Road
    8. I Know how the Lord Feels about Me
    9. When Tears Always Flow
    10. I Walk with You
    11. Songs That You Sing
    12. Dreaming of You Again – lyric by Ron Grimes & Linda Sue Grimes

    Videos on YouTube created by Carlene Craig

    1. River of Time – w/guitar
    2. My Girl Darian – written by Carlene Craig, set to music & performed by Linda Sue Grimes

    Original Song with Commentaries

    1. “Dreaming of You Again” with Prose Commentary
    2. “Against” with Prose Commentary
    3. The Paper Mill Bridge Song” and Prose Commentary
    4. “Where You Are” with Prose Commentary
    5. “River of Time” with Prose Commentary
    6. “When Morning Looms” with Prose Commentary
    7. “These Letters” with Prose Commentary
    8. “Astral Mother” and Prose Commentary
    9. “I Wonder if You Ever Think of Me” and Prose Commentary
    10. “River Spirit” and Prose Commentary
    11. “Twixt Good and Evil” and Prose Commentary