
Image: At the End of the Road & Other Poems
At the End of the Road & Other Poems
Dedicated to the memory of my father and mother:
Bert Richardson, January 12, 1913–August 5, 2000
& Helen Richardson, June 27, 1923–September 5, 1981
The following poems appear in my collection titled At the End of the Road & Other Poems available on Amazon.
1 Earned Pain
—owed to Emily Dickinson’s “Joy to have merited the Pain“
Earned pain fades into joy,
Gains a vivid, long liberation.
Each phase dissolving into joy –
Then paradise on the horizon.
Absolved, my eyes grow strong,
Peering into the ancient eye,
Improved and brooking no wrong
Approaching paradise, I realize.
That these eyes glimpse Thine eye
And that Thou glimpst mine atone
And attest that my brown eyes
And Thy sacred sight are one.
Thou consumest all time, remaining
Infinitely present, never astray –
An eastern spirit explaining
Morning to the day.
Evoking Thy highest peak
And the valley far below,
My voice can speak
Inside the darkest shadow,
Spiritualizing all space and time
As years drop eternally
Ghost day by ghost night
Journeying through eternity.
2 A Summer Dream Phantasm
sweet dreams for the monster
At the edge of the water
We sit together
Talking about heaven & earth
Poems & love.
You ask if I still think of you
While you are away.
I throw a stone into the water.
The answer is the ripples.
3 In Dreams We Happen to Meet
for Mr. Sedam, my poetry benefactor
“I protest your protest its hairy irrelevancy” —”Malcolm M. Sedam’s ‘Desafinado’“
In dreams we happen to meet
On some mystic, planetary hill —
Poetry eludes us yet we commence
Talking about the sham progress
Bleeding hearts have inflicted.
The professor in you wants to align
Wokeward but you cannot bring yourself
To spring into the claptrap that clamped
Shut on Ginsbergian filth, deviance
And that mayhem of hairy irrelevance.
You think of your children
Wading into the waters of vipers
Nipping their ankles
Snapping their necks
Erasing their freedom and will.
You would have those you love
Experience their own close calls —
You crashed into your own
As you flew those planes
Over the Pacific, fighting that war —
Facing death, watching death
Take soldier after soldier
Leaving you with the intuition
Outcomes cannot be guaranteed
By bureaucratic Bolsheviks.
Only freedom of opportunity
Guarantees free will remains free
And life continues to beget life
In the magnolious scheme that God
Made man after His Own image.
4 Bone Couplets
“Flesh of my flesh, bone of my bone…” —Anne Bradstreet
They outshine the flesh in the reign of desire
Where pink like a blush goes on shining like fire.
Fat necked imbeciles, brain-numbed and wrong
On every backboned thought that ever ran along
The confines of the apple of Adam sweetened
In the birdless cage rump-driven and weakened.
Greed and swagger click the gangling matter
Knuckles cling and circle each limb to tatter.
Hipbones narrow in the faulty weather.
The bare truth flies out on filth-tinged feather.
Bring me back to the place where life can stand!
Let me feel the smooth relief of pounding sand!
This belly swore it would unburden the green.
Within the sulking skull it makes its way to preen.
In the sweet toned laughter where children move
And every old fart says he will not prove
Until the night breaks over those who pray
And every chime kinks the ear heaven to delay.
Relevant as an old donkey on an extended beach
The moon sinks into ripe flesh as if to teach
Those angry cells to leave off all that hunger.
No years will ease—no one will grow younger
Than the moth whose flame has singed his wings
Clacking bare truth to the mercy of things.
5 A Terrible Fish
“In me she has drowned a young girl, and in me an old woman
Rises toward her day after day, like a terrible fish. —Sylvia Plath’s “Mirror”
The nightmare repeats itself:
A daughter clamped tight to each foot
Pulling her down under
The brute waters of the dark, deep lake —
She gasps — imagines she’s drowning
While her husband watching from the levy
Wrings his hands, faints in the heavy fog.
A terrible fish looms under her nose;
She smells blood dripping
From a dozen hooks dangling
From his mouth.
His eyeballs slide out easy
As the drawer of a cash register.
Each eye-socket a window
To her own soul — $ bills
With little jackpots on them
Jump up and dance like clowns
Poking out their tongues,
Flapping signs of slogans
With hammers, sickles, swastikas —
She believes – ¡Sí, se puede!
Morning shivers her awake again,
Stumbling to the bathroom
Where the mirror flashes
In her face that same terrible fish
That has been catching her dreams
And throwing them back
As she chases each $,
Never quite able to grasp enough.
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