Linda's Literary Home

Tag: Edward de Vere

  • Daniel L. Wright Memorial

    Image: Professor Danial L. Wright -Authorship Studies Conference at Concordia

    Dan Wright: Innovative Shakespeare Scholar

    The late Daniel L. Wright was the director of the Shakespeare Authorship Research Centre at Concordia University in Portland, Oregon, where he also served as professor of English from 1991 to 2013.  

    The following message is from the homepage of the SARC site, featuring the welcome and explanation of what the center was about:

    Welcome to Concordia University in Portland, Oregon — home of the Shakespeare Authorship Research Centre (SARC). The SARC is an academic setting for annual gatherings that unite professors, teachers, students, playwrights, actors, directors and lovers of Shakespeare from all over the world to share research and insights into the Elizabethan world’s most acclaimed poet-playwright.

    The primary goals of the SARC:  (1) Determine who the Shakespeare writer was and (2) Explore why he wrote anonymously and pseudonymously. 

    That website also offers information regarding the numerous conferences held to discuss that authorship question. 

    My Gratitude to Dan Wright

    From 1983 to 1991, Dan Wright and I were classmates and colleagues in the English department at Ball State University, where we both completed our PhD degrees; I completed mine in 1987 and Dan finished in 1990.  We both benefited from the excellent guidance of Professor Thomas Thornburg, who directed our dissertations.  

    I owe Dan a debt of gratitude for the identification of the kind of interpretation that I engage in.  As we attended Dr. Frances Rippy’s class in research, Dan’s response to one of my presentations offered the term “yogic interpretation,” a term I had not heard or even thought of until he said those words.

    From then on, I have understood the kind of commentary, criticism, and other scholarly work I engage is indeed “yogic” in nature.  I employed a “yogic interpretation” in my dissertation, “William Butler Yeats’ Transformations of Eastern Religious Concepts,” and I continue to engage that yogic concept as I comment on the poems of various poets, including Emily Dickinson, Edgar Lee Masters, the Shakespeare sonnets, and others.

    Dan and I both had religion in common, even though those religious traditions are from very different perspectives: mine is from the union of original yoga and original Christianity as taught by Paramahansa Yogananda, and Dan’s was from the historical and theological tradition of Christianity as perceived through Lutheranism.  

    Dan’s religious training included a Master of Divinity degree from the Lutheran School of Theology in Chicago, from which he graduated in 1980. After his ordination in 1980, he entered the Navy and  served for two years as a Navy Chaplain.  

    At Ball State during our sojourn to our advanced degrees, one would see Dan walking through in the hallways wearing his cleric collar because he remained an active churchman as he studied for his PhD in the English program.

    I also owe Dan a debt of gratitude for alerting me to the issue of the Shakespeare authorship.  During my research for information relating to Shakespeare, I happened upon Dan’s articles at the Shakespeare Authorship Research Centre (SARC).  His brilliant analyses of and excellent clarity on the issue convinced me that Edward de Vere, 17 th Earl of Oxford, is in, indeed, the real “Shakespeare,” or is, at least, the best candidate offered to date.

    Unfortunately, I never had the privilege of communicating my appreciation and gratitude to Dan for his fine scholarship.  I would like to have let him know that his label of “yogic interpretation” has served as a bright light for my studies, and being introduced to the Shakespeare authorship controversy has further enhanced my literary studies.  

    Dan died on October 5, 2018, in Vancouver, Washington, of complications from diabetes.  I wish soul rest for my former illustrious classmate/colleague, whose academic career has offered his many students a fine example in scholarship and the love of learning.

    Requiescat in pace, Dan!

    Dan Wright Memorial on Youtube

    Articles by Professor Wright on the Shakespeare Authorship

  • Life Sketches Poets/Poem Commentaries

    Image: Created by ChatGPT

    This room holds life sketches of the poets I have studied for many years and whose works I find most compelling. Each life sketch also features links to commentaries on the each poet’s most important poems.

    1. Rabindranath Tagore In 1913, Rabindranath Tagore, Indian Nobel Laureate, won the literature prize for his prose translations of Gitanjali, Bengali for “song offerings.”  A true Renaissance man, he served as a poet, social reformer, and founder of a school.
    2. Emily Dickinson  Dickinson lived a solitary life that in many ways paralleled that of a religious monastic. She passed her life in quiet contemplation, becoming addicted to creating little dramas resulting in her fascicles of 1775 poems, with subject matter ranging from flowers to the concept of immortality.
    3. The “Shakespeare” Writer  Continued research seems to be confirming the claim by the Oxfordians that Edward de Vere, 17th Earl of Oxford—not Gulielmus Shakspere of Stratford-upon-Avon as insisted by the Stratfordians—wrote the canon of plays and poems left by the pseudonymous “William Shakespeare.”
    4. James Weldon Johnson  A true “Renaissance man,” James Weldon Johnson wrote some the best spiritual poems and songs in the American literary canon.  He also held positions as attorney, diplomat, professor, and activist in a political party, fighting for the civil rights of black Americans.
    5. John Donne  John Donne’s canon features two vastly different themes.  One might argue that they are diametrically opposed; his earlier works focus on sensual debauchery.  His later works take the theme of spirituality.
    6. William Butler Yeats  William Butler Yeats possessed a lifelong dedication to the cultural and political rebirth of Ireland. He experienced life as a poet, playwright, and senator as he lived during turbulent shifts in Irish politics.  He had a lifelong unquenchable thirst for artistic and spiritual truth.
    7. Phillis Wheatley  Phillis Wheatley’s talent was questioned but then authenticated during her lifetime, and she is now hailed by all but the most cynical as one of America’s finest poetic voices.
    8. Robert Frost   Taking his place among luminaries such as Dickinson and Whitman, Frost has remained one of the most widely anthologized American poets of all time.  His poems are more complex than simple nature pieces; many are “tricky—very tricky,” as he once quipped about “The Road Not Taken.”
    9. Gerard Manley Hopkins Gerard Manley Hopkins (1844–1889) was a poet of exceptional originality, with an innovative approach to language.  He remains one of English literature’s most enigmatic figures—a poet-priest whose work combines Victorian sensibilities with modernist experimentation.
    10. Langston Hughes Hoyt W. Fuller, critic, editor, and founder of the Organization of Black American Culture (OBAC), has pointed out that Langston Hughes possessed a “deceptive and profound simplicity.”  Fuller insists that understanding these qualities in Hughes is key to understanding and appreciating his poetry.
    11. Elizabeth Barrett Browning Elizabeth Barrett Browning’s classic work Sonnets from the Portuguese is the poet’s most anthologized and widely published work, studied by students in secondary schools, colleges, and universities and appreciated by the general poetry lover.