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Emily Dickinson’s “The Gentian weaves her fringes”

Image: Emily Dickinson – Amherst College – Daguerrotype of the poet at age 17, circa 1847 – likely the only authentic, extant likeness of the poet https://www.amherst.edu/library/archives/holdings/edickinson

Emily Dickinson’s “The Gentian weaves her fringes”

In Emily Dickinson’s “The Gentian weaves her fringes,” the speaker metaphorically likens the end of summer to the departure of the soul of a loved one, creating a little funeral drama in a church with a final prayer offering.

Introduction and Text of  “The Gentian weaves her fringes”

Emily Dickinson kept the Sabbath by staying home, as she so colorfully expressed in her poem, “Some keep the Sabbath going to Church.” But while others were content to participate in the traditional church services, Dickinson created speakers who marveled in the natural surroundings to the point of uplifting those natural creatures to divine entities in the rarified spiritual air.

As most readers know, Emily Dickinson lived a cloistered life resembling that of a monastic, earning herself the title, “Nun of Amherst.”  Her poem, “Some keep the Sabbath going to Church,” celebrates this cherished belief held by “the nun of Amherst” that merely staying home and worshipping could lead one to heaven instead of waiting for death.  

In the “Some keep the Sabbath” poem, the speaker creates her own church with a bird serving the position of the choir director and fruit trees serving as the roof of her church.  And the sermon is preached by none other than “God,””a noted Clergyman.”

Like the “Some keep the Sabbath” poem, “The Gentian weaves her fringes” also finds the speaker creating her own church along with a church funeral service that she employs metaphorically as the death or departure of the summer season.  The echo of a traditional prayer caps the little drama with beauty and leaves the reader in a highly spiritual atmosphere of the divine, little Dickinson created church.

The Gentian weaves her fringes

The Gentian weaves her fringes –
The Maple’s loom is red –
My departing blossoms
Obviate parade.

A brief, but patient illness –
An hour to prepare,
And one below this morning
Is where the angels are –
It was a short procession,
The Bobolink was there –
An aged Bee addressed us –
And then we knelt in prayer –
We trust that she was willing –
We ask that we may be.
Summer – Sister – Seraph!
Let us go with thee!

In the name of the Bee –
And of the Butterfly –
And of the Breeze – Amen!

Commentary on “The Gentian weaves her fringes”

The speaker is metaphorically likening the end of summer to the departure of the soul of a loved one, creating a little funeral drama in a church with a final prayer offering.

First Stanza:   Observation of the Departing Blooms

The Gentian weaves her fringes –
The Maple’s loom is red –
My departing blossoms
Obviate parade.

The speaker observes that the Gentian flower that grows billowy edges has been weaving those edges while the red maple tree remains looming overhead.  But then she reveals that she is reporting not a simple celebration of blooming plants, but instead she will be describing the departures of “blossoms.”  Those blooming flowers are departing because summer is coming to an end.

Second Stanza:    Drama of a Church Service

A brief, but patient illness –
An hour to prepare,
And one below this morning
Is where the angels are –
It was a short procession,
The Bobolink was there –
An aged Bee addressed us –
And then we knelt in prayer –
We trust that she was willing –
We ask that we may be.
Summer – Sister – Seraph!
Let us go with thee!

The speaker then creates a fascinating scenario calling the short summer season a “brief, but patient illness.”  Of course, it is the grieving speaker who feels the illness that her beloved summer with all of its warmth, colors, and inviting other sense pleasures will soon be departing.  Thus she is metaphorically likening the end of summer to the end of the life of a beloved friend or relative.

And she is doing so for a very specific reason.  Just as the speaker averred in “Some Keep the Sabbath,”  she is creating a special church service.  This time it is a funeral service that includes “the Bobolink” and “an aged Bee” who offer eulogies for the departing loved one.

The speaker then proclaims that the funeral attendees all “knelt in prayer.”  The prayer expresses the wish that the departing soul is doing so willingly. She then offers a startling remark, naming the departing one not only “Summer” but “Sister” and “Seraph.”  This departing soul is close as a sister and beloved as an angel.  Thus this speaker expresses the wish to accompany Summer on its departing journey.

Third Stanza:  A Final Prayer Offering

In the name of the Bee –
And of the Butterfly –
And of the Breeze – Amen!

The completion of the prayer echoes the many prayers that are offered weekly in most churches.  But instead of “In the name of the Father, and the Son, and the Holy Spirit,”  this speaker’s created natural church prayer pays homage to the natural creatures, Bee, Butterfly, and Breeze.  She then appends the same devotional closing found in most if not all Christian prayers—”Amen!”

Comments

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